And the Oscar Goes To: A Complete List of Winners

On Sunday Feb. 22 Neil Patrick Harris was our tour guide through the biggest night in Hollywood. Some people celebrated, some people cried and still others just thought “everything was awesome.” Actors, actresses and directors all clung to their Lego Oscar statues, hoping that their name would be called after those $200 envelopes were opened. America held its breath to see who would be named the best. Here is a complete list of who was chosen by the academy as the representatives of the best in this year’s American cinema, and next year’s votes for who will be considered at the top of their game.

Visual Effects: “Interstellar”

Sound Mixing: “Whiplash”

Sound Editing: “American Sniper”

Live Action Short: “The Phone Call”

Animated Short: “Feast”

Documentary Short: “Crisis Hotline: Veterans Press 1”

Production Design: “The Grand Budapest Hotel”

Best Original Song: “Glory” from the movie “Selma”

Best Original Score: “The Grand Budapest Hotel”

Makeup and Hairstyling: “The Grand Budapest Hotel”

Costume Design: “The Grand Budapest Hotel”

Cinematography: “Birdman or (The Unexpected Virtue of Ignorance)”

Film Editing: “Whiplash”

Best Foreign Language Film: “Ida”

Best Documentary Feature Film: “CitizenFour”

Best Animated Feature Film: “Big Hero 6”

Best Director: Alejandro G. Inarritu for “Birdman or (The Unexpected Virtue of Ignorance)”

Best Adapted Screenplay: “The Imitation Game”

Best Original Screenplay: “Birdman or (The Unexpected Virtue of Ignorance)”

Best Actor in a Supporting Role: J.K. Simmons for his role in “Whiplash”

Best Actress in a Supporting Role: Patricia Arquette for her role in “Boyhood”

Best Actor in a Leading Role: Eddie Redmayne for his role in “The Theory of Everything”

Best Actress in a Leading Role: Julianne Moore for her role in “Still Alice”

And last but certainly not most least, Best Picture: “Birdman or (The Unexpected Virtue of Ignorance)”

There were tears, there were laughs and there were exchanges of hate glares (Richard Linklater to Alejandro G. Inarritu). “Birdman” and “The Grand Budapest Hotel,” who were both tied for nine nominations, ended the night tied, again, with four wins each. “Whiplash,” which was seen as kind of an underdog of the Oscars blew everyone away by taking home three wins. “Boyhood” was let down with its singular statue. Congratulations to all the winners, and I hope they choose more wisely next year with their guaranteed places on the academy when it comes to “Best Animated Film.” Maybe Disney won’t win one of these years.

Article by Krista Skweres

Student/Staff Spotlight Series: Jazz Professor, Russ Johnson

“It smelled like Franksville during sauerkraut season,” confessed Parkside’s jazz professor, Russell Johnson, reflecting on just one of the interesting yet unusual experiences in his time as a jazz musician. It was on stage in France, playing aside the legendary jazz musician Lee Konitz that Russ encountered the offensive smell.  “I’m sitting there, eyes watering, next to this legendary saxophonist thinking, ‘what’s going on?’” he said. Konitz then proclaimed “I’ve got cabbage on my knees!” The then 80-year-old Konitz had visited a homeopath in France to alleviate pain he was having in his knees just before his gig with Russ. There they had applied ointment and then wrapped his knees with cabbage leaves, the culprit of the pronounced smell.

This is what you can expect from Russ. He’s chock-filled with interesting and amazing stories, which is expected, considering that he has played the trumpet since fifth grade, “…played in 45 different countries and been to every state except for 4 in the U.S.”, and has been a sideman with countless main jazz figures such as Lee Konitz, Steve Swallow, Bill Frisell and many more. Not only has he been a sideman in many bands, but he leads a few of his own bands. His main band that he leads is called “The Meeting Point Quartet,” in which he composes all the music himself. They released a record last year, which was incredibly well-received and made the “Best CDS of 2014” list. He has had an extremely fulfilling and successful career as a jazz musician, and still does, but has worked incredibly hard to get to where he’s at.

He first started playing the trumpet in the fifth grade after his older brother, who also played the trumpet, introduced it to him. Ironically, he says music wasn’t a part of his household. No one really played or listened to music, other than his brother. Russ then began borrowing many of his brother’s jazz records and recalls specific records that have “changed his life,” such as Miles Davis’ records “Workin’,” “Steamin’,” “Cookin’” and “Relaxin’”. At age 16 he then went to a jazz camp which “solidified that he wasn’t alone” and was an affirmation of his career path. After that, his parents couldn’t stop him from practicing his trumpet. Russ has always been completely devoted to his career as a musician. He says that he “never had a job other than playing his trumpet, from age 19 to 45, when he started teaching.” So how has Russ Johnson, this notably successful jazz musician, come to grace Parkside with his presence, and what made him choose Parkside?

After living in one of the greatest U.S. jazz communities for 24 years, New York, he started teaching at Parkside in January of 2010. During his first year and a half of teaching, he was dedicated to commuting from New York to Parkside for a year and a half until he moved here in 2011. But what finally drew him out of the bustling Big Apple to the quiet Midwest? His family. When it came time to enroll his daughter in school, he wasn’t confident about raising his daughter in the Brooklyn public schools. Russ tells me he actually grew up in Racine and was familiar with the location, schools and people here, so that is why he looked into transferring to this area. One of the most appealing things about Parkside for Russ is that it is only an hour from Chicago, another major jazz community. “My playing career is extremely important and I’m still very active… so Parkside is a perfect fit,” said Russ.

Besides the location, Russ says that the students are what he likes the most about Parkside. “I knew the general type of student that I was going to be working with,” he said. “I get as much from them as they get from me. I have some very, very talented students that I work with.”  Even with the relatively new musicians, Russ said that “it’s unbelievably fulfilling… to see them develop as musicians and people.” He also said that some students are so strong that they even push him forward in his career.

To conclude, I asked Russ if he had any advice for other young musicians and students. “It requires so much hard work, and dedication, and you need to be fully committed… and then the pay-off is incredible,” he said. Russ also had further advice for music students. “Create a practice journal and go into it with a plan, and this can go for any type of study,” he said. “Finding ways to organize your time is extremely important. And it is very easy to waste your time, to pick up your instrument and just have fun. It’s not about having fun, it’s about working really, really hard and the fun will come later. It is unbelievably rewarding, but it requires a lot of work”. He also said that choosing you career path really isn’t “a decision.” You just know. You have to go with your passion, but prepare to work hard. So in Russ’s words, find what’s in your heart, work hard and it most surely will pay off in the end. It definitely did for Russ.​

I can’t think of a better way to hit off our Student and Staff Spotlight series, which honors outstanding members in Parkside’s community, than by showcasing professor Russ Johnson. It was a privilege and joy to interview Russ. He is an all-around stand-up guy with amazing talent, passion and dedication to his career. We are most blessed to have him here at Parkside, as a mentor, fellow colleague, friend, professor or just as a great person in general.

Article by Liv Gripko

Biggest Night in Hollywood? Must be Oscar Season!

Coming up tonight (Feb. 22) is the night all of Hollywood waits for, from the time that they wake up hung over from the after-party the next day. With hundreds of movies being released each year, the ones selected for this honor have bragging rights for the entirety of the year, as well as an automatic place on the Academy. They therefore hold the fate of the following nominees for all categories. That being said, let’s look at what and who has the potential to hold the future nominees’ lives in their hands (at least in the some of the major categories).

Best Actor: The nominees for best actor this year hail from a range of genres that include comedies to bio-pic dramas. It would seem that Eddie Redmayne is leading the race for his role in “The Theory of Everything,” a dramatic bio-pic about Stephen Hawking’s life. Redmayne won best actor in a dramatic role for this character at the Golden Globes earlier this year and this is his first Oscar nomination. Bradley Cooper is nominated for his role in “American Sniper,” another bio-pic about deceased war veteran and Navy SEAL Chris Kyle. This is Cooper’s third Oscar nomination for the role of best actor in a leading role. Also nominated is Golden Globe winner Michael Keaton for the dramedy “Birdman.” Although this is Keaton’s first Oscar nomination, he did win the Golden Globe for this very role in the category of best actor in a comedy or musical. Steve Carell is also celebrating his first nomination at the Oscars for his role in the true story “Foxcatcher” after breaking out of his type-casting from “The Office.” The final nominee is Benedict Cumberbatch for his role in another bio-pic, “The Imitation Game.” Cumberbatch is a first time nominee and is primarily known for his roles in BBC’s “Sherlock” and Khan in the latest “Star Trek” installment.

Best Actress: I really feel that the race for best actress in a leading role could be anyone’s win. I’ll start with Julianne Moore who is the Golden Globe winner this year for best actress in a dramatic role. She shows up with her fifth Oscar nomination for her role in “Still Alice.” Marion Cotillard returns for possibly another win after her last nomination and win in 2008. She seems to have most of her luck in her French films, her last win being from “La Vie en Rose.” This year’s nomination is for the drama “Deux Jours, Une Nuit,” translated as “Two Days, One Night.” To match Redmayne, Felicity Jones is also in the running for best actress for her role as Stephen Hawking’s wife in “The Theory of Everything,” landing her her first Oscar nomination. Reese Witherspoon comes back to the Oscars also hoping for her second win, her first being for her role in “Walk the Line.” She now runs for best actress for her bio-pic “Wild,” proving that she’s come a long way since “Legally Blonde.” The final nominee is Rosamund Pike in her first Oscar nomination for the suspense-thriller “Gone Girl.”

Best Picture: Most of the films up for best picture also have actors or actresses up for the honor of the best. There are two films that are favored for the win: “Birdman” and “Boyhood.” “Birdman” stars Michael Keaton, Emma Stone, Edward Norton, Zach Galifinakis along with others and is written and directed by Alejandro Gonzalez Inarritu, who is now a five-time Oscar nominee. “Birdman” tells the dramedy of a washed up actor who is trying to regain his fame in Broadway. “Boyhood” stars Ethan Hawk, Patricia Arquette and Ellar Coltrane in the role of his life. Literally. Written and Directed by Richard Linklater, it revolutionizes acting by following the same cast throughout 12 years of their lives in a coming-of-age film. “American Sniper” was directed by Clint Eastwood and stars Bradley Cooper, Sienna Miller and Kyle Gallner, and as previously described, shows the life of Chris Kyle. “Selma” tells the story of Martin Luther King’s march from Selma to Montgomery to gain equal voting rights for African Americans in the U.S. It stars David Oyelowo and Carmen Ejogo, and was directed by Ava DuVernay. Previously described in under “Best Actor” and “Best Actress” was “The Theory of Everything” telling Stephen Hawking’s life and work and was directed by James Marsh. “The Imitation Game” reveals the true story of World War II mathematician Alan Turing and stars Keira Knightley and Benedict Cumberbatch and was directed by Morten Tyldum. Wes Anderson brings a bit of quirk to the category with “The Grand Budapest Hotel,” starring Ralph Fiennes, Adrian Brody, Willem Defoe, Edward Norton and many other cameos. The final film in the running stands as the underdog . “Whiplash,” starring J.K. Simmons and Miles Teller, is Damien Chazelle’s film that kind of came out of nowhere and blew everyone away. But hey, who doesn’t love an underdog?

Well folks, that’s all I have room for! Be sure to keep to trnonline.org for a full list of the winners after the big night.

 

Article by Krista Skweres

Carey Watters’ Paper Reliquaries

Walking through the exhibit is a breathtaking experience. Each piece of work is a meticulously crafted three-dimensional collage of curious and delightful paper artifacts, assembled into architectural beauty. Every piece takes you into another world and it’s easy to get lost in wonderment, staring for hours. The art is assembled from a variety of paper relics, such as journal notes, bible pages, maps, book pages, matchbook covers, Victorian art, antique graphics and more. The works are inspired by Roman Byzantine architecture, the artist’s residency in Noepoli, Italy and travels to Calabria, Puglia, and Basciliata. After seeing this miraculous work, I am proud to announce that the artist of this stunning work, Carey Watters, is actually a fellow Parkside comrade! Currently, she is an assistant professor here at Parkside, teaching graphic design and typography. On her website, http://careywatters.com/home.html, she expresses her passion as a teacher. She professes, “I enjoy the role of the facilitator. The studio atmosphere should focus on collaboration in the building of design ideas. I see myself as a tool for the students to utilize in the development of their own design aesthetic. As an instructor of graphic design, the environment I create is professional and nurturing. Students should feel comfortable to express themselves in any way they see fit.” From viewing her work in the gallery, it’s clear that she has a devotion to her work, in her art and teaching. If you can’t make it to the opening reception, I strongly urge you to stop by the Foundations Gallery sometime to lose yourself in the marvelous work of Carey Watters. The exhibit will be displayed until Nov. 18, and is a must-see!

Article by Liv Gripko

A Breakdown of “The Broken Circle Breakdown”

This week’s foreign film series movie was a film from Belgium by director Felix van Groeningen entitled The Broken Circle Breakdown. It is a movie adaptation of the play written by Mieke Dobbels and Johan Heldenbergh and stars Veerle Baetens and Johan Heldenbergh himself as leading lady and man in a tragic romance story. Beginning with a love-at-first-sight tale, I must say that I was relieved when it quickly took a drastic turn from romance to depression. There are an abundance of happy, romantic, and overly predictable movies that begin in the same way. When the turn was taken, it meant that the whole film could not be neatly wrapped up in a neat little bow in the end.

With a strong emphasis on music, particularly American Bluegrass, the story brings a unique mixture of upbeat to go along directly, and at the same time, as the sad, leaving the viewer in a whirlwind of emotions all at once that keeps the audience’s attention. This being said, it does take a little bit away from the emotion that I believe the plot and the director call for during certain scenes in a distracting way. The soundtrack in a stand-alone way is unique for the type of genre this movie is, which proves to be interesting. The storyline unfolds is in a non-linear way, jumping from past to the present, and even sometimes into the future of where the movie seems to be taking place. This can at times become confusing, but at the same time it adds to the movie’s depth, keeping even the slowest moments of the film at least slightly intriguing, which can begin to drag on. It all becomes worth the wait in the end, when in a psychedelic segment of scene compilations the cinematic value behind the film is finally revealed, pulling the audience into the film more so than even the main tear-jerker scenes that are essentially the meat and potatoes of the movie. All in all, having a strong plot that makes more sense the more you watch and a cast that works beautifully together makes this movie definitely worth the watch.

Article by Krista Skweres